How to Keep an Opera From Bursting at the Seams - The New York Times
Costume design for an acrobat in Benvenuto Cellini Reproduction | 1st Art Gallery
Paul Lormier - Costumes for Hector Berlioz's Benvenuto Cellini (1838) - No.9 - Balducci - PICRYL - Public Domain Media Search Engine Public Domain Image
Benvenuto Cellini (Wailly & Barbier / Berlioz) / Works / Home - Bru Zane Media Base
How to Keep an Opera From Bursting at the Seams - The New York Times
File:Paul Lormier - Costumes for Hector Berlioz's Benvenuto Cellini (1838) - No. 7 - Un chef d'atelier. M. (Ferdinand) Prévost, (Bernardino) - Restoration.jpg - Wikimedia Commons
Beatrice or Beatrix Person in the role of the Duchesse d'Etampes in Alexandre Dumas' "Benvenuto Cellini." Madame Person (1820-1883) was a French actress who became the mistress of Gustave Flaubert. Handcoloured lithograph
Costume design for two acrobats in 'Benvenuto Cellini' by Hector Berlioz (1803-69) 1838 (pencil & w/c on paper) (b/w photo) by Lormier, Paul (1813-95)
File:Paul Lormier - Costumes for Hector Berlioz's Benvenuto Cellini (1838) - No. 8 - 8. Valet du pape.jpg - Wikimedia Commons
Paul Lormier - Costumes for Hector Berlioz's Benvenuto Cellini (1838) - Nos. 1-4. Hommes du peuple - PICRYL - Public Domain Media Search Engine Public Domain Image